In the sitting room, Max gives Tito a tranquilizer-laced drink, trying to calm him down before the performance. Ages 12-17: Camp Broadway Ensemble @ Carnegie Hall. "We made a conscious decision to stay away from theater that's thought-provoking and asks serious questions," said Steve Moore, president of CCP. Portrayals Overview; Characters; Videos; Monologues; Scenes; . It was directed by David Gilmore. Directed by Stanley Tucci, the cast starred Anthony LaPaglia (Tito Merelli), Jay Klaitz (Frank the Bellhop), Justin Bartha (Max), Jan Maxwell (Maria), Mary Catherine Garrison (Maggie), Jennifer Laura Thompson (Diana), and husband and wife couple Tony Shalhoub (Saunders) and Brooke Adams (Julia). Skip the announcement, stick a note in the programme The role of Otello will be sung by Albert Rupp. And then if there is anyone still in the audience when he takes his bow, they can stone him to death? Maggie is a fan of Tito Merelli, and hopes to meet him. Maggie Saunders at Cedar Street Players . They'll start arriving any minute now. Jillian Vitko. Here are a few of my favorite speeches from those plays:From Hamlet: Act II Sc 2: "Oh what a rouge and peasant slave am I!"
A sensation on Broadway and in Londons West End, this madcap, screwball comedy is guaranteed to leave audiences teary-eyed with laughter. When Tito returns to the bedroom, he finds Maria's note. A Broadway revival began performances at the Music Box Theatre on March 13, 2010 in preview and officially opened on April 4, 2010. New York, NY, Ages 12-17: Camp Broadway Ensemble @ Carnegie Hall
Ken Ludwigs Lend Me A Tenor was first presented at the American Stage Festival, Milford, New Hampshire on August 1, 1985, with the following cast: MAX - Walter Bobbie; MAGGIE - Christine Rose; SAUNDERS - George Ede; TITO - Ronald Holgate; MARIA - Judith Roberts; BELLHOP - Joe Palmieri; DIANA - Linda Lee Johnson; JULIA - Bella Jarrett, Directed by Larry Carpenter; Set Design by John Falabella; Costume Design by David Murin; Lighting by John Gisondi. Throw in Diana, an ambitious, female co-star; Maggie, Max's giddy girlfriend; Julia, a flirty head of the opera guild; and a meddling bellhop fighting for Tito's attention. Merelli is coming to Cleveland to sing the lead role in a performance of Giuseppe Verdi's Otello. Research Playwrights, Librettists, Composers and Lyricists. Come join me, will you? "Evey lead must be strong," said the Ellicott City resident. About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features Press Copyright Contact us Creators . "We look for comedies that are fast-moving and designed for good opportunities to laugh. Gain full access to show guides, character breakdowns, auditions, monologues and more! . It received nine Tony Awardnominations and won for Best Actor (Philip Bosco) and Best Director (Jerry Zaks). Description Lend Me A Tenor Act I Account 157.55.39.99. The cast featured Ron Holgate (Tito), Anna Nicholas (Maria), Edward Hibbert (Bellhop), Denis Lawson (Max), Jan Francis (Maggie), John Barron (Saunders), Gwendolyn Humble (Diana), and Josephine Blake (Julia). Casting the comedy "Lend Me a Tenor." Production description: "World famous opera singer Tito Mirelli has come to Cleveland to perform. The ultimate operatic experience! New York, NY, Accessibility Statement Terms Privacy |StageAgent 2020. MAX, his assistant, suggests that the performance go on as scheduled, with the understudy playing the starring role instead. By the time we reach the endwellits not over. The understudy. "From Midsummer I'd look at Oberon's monologue from Act II, Scene 1, "My gentle Puck, come hither" or from Act IV, Scene 1, Nick Bottom's monologue that begins, "I have had a most rare vision"From As you Like It, Act II, Scene 1, there's the Duke's speech that begins, "Now, my co-mates and brothers in exile"And of course, everyone's favorite, "Our revels now are ended" from the Tempest, Act IV, Scene 1.If you're looking specifically for tragedy, you might look at Hamlet or Macbeth. Lend Me a Tenor was first presented at the American Stage Festival, Milford, New Hampshire on August 1, 1985. Please prepare a 2 minute comic monologue. A Broadway revival opened in 2010.
Of course! Leigh Anne Hamlin performs one of. The play was subsequently presented by Andrew Lloyd Webber for The Really Useful Company at the Globe Theatre, London on March 6, 1986 with the following cast: MAX - Denis Lawson; MAGGIE - Jan Francis; SAUNDERS - John Barron; TITO - Ronald Holgate; MARIA - Anna Nocholas; BELLHOP - Edward Hibbert; DIANA - Gwendolyn Humble; JULIA - Josephine Blake, Directed by David Gilmore; Designed by Terry Parsons; Lighting by Michael Northen. These eight characters are insane (every one of them!) New York, NY, Linda Ray
Henry Saunders -- General Manager of the company -- is beyond stressed about everything turning out right, and insists that his assistant, Max -- a nervous, young fellow and secret tenor extraordinaire -- watch over Titos every move to ensure smooth sailing. "The ensemble group gets to bring a lot to the play," said Mr. Moore of Columbia. Click the start the download. It will be a disaster for the Cleveland opera, and for Saunders himself. "The play is pure entertainment," said director Kathy Turyn Romaine, who is also a CCP officer. After a huge fight with his fiery, Italian wife Maria, Tito receives a double dose of tranquilizers through a series of mishaps. Sallie Roberts, as Julia, puts on the voice and air reminiscent of the pretentious society matrons featured prominently in the glamorous and/or screwball films of the 1930s. The show, launching the Columbia Community Players (CCP) third all-comedy season, will be presented at 8 p.m. today and tomorrow, and Nov. 4 and 5 at Slayton House in Columbia. Wearing Tito's costume and makeup, Max will star in the opera performance. Monologues for Women; Comedic; . [3][4], After sixteen previews, the Broadway production, directed by Jerry Zaks, opened on March 2, 1989 at the Royale Theatre, and closed on April 22, 1990 after 476 performances. As the second act opens, Saunders and Max return to the hotel suite. A surprise Curtain Call pushes it even further over the edge leaving both cast and audience fatigued from laughter. The play, originally titled Opera Buffa, had been produced at a summer theater, American Stage Festival, Milford, NH, in 1985. However, we have dozens of other monologues that you can read. Saunders and Max try to block assorted groupies, including an ** opera-singing bellhop, the ambitious opera singer Diana, opera guild president Julia Leverett and Saunders' daughter, Maggie. Saunders, the general manager of the Cleveland Grand Opera Company, is primed to welcome world famous, Tito Morelli, Il Stupendo, the greatest tenor of his generation, to appear for one night only as Canio from Pagliacci. The two-room set has a sitting room with a sofa and chairs at right and a bedroom at left. But these are just some of the backstage goings-on during a night at the opera in the hit comedy, "Lend Me A Tenor.". A sellout crowd and the members of the Cleveland Opera Guild will be at the opera house that evening to see the great Merelli. Max's performance as Othello was a huge success, and no one suspected that he was not Tito. Every time they enter a room, open a door, or even open their mouths you just cant expect what happens. Alas, Tito arrives late, his tempestuous wife Maria has a fit of jealousy, and it remains to be seen whether Saunders' mousy but determined . Possum Point Players, Tech Crew at
version of LEND ME A TENOR in London, the opera was switched to Pagliacci with Ken Ludwig's permission . It starts spinning early in the show and just never stops. Max succeeds admirably, but Morelli comes to and gets into his other costume ready to perform.
IBDB (Internet Broadway Database) archive is the official database for Broadway theatre information. [10], In 2022, Ludwig adapted a gender-swapped version of the play entitled Lend Me a Soprano which will run at the Alley Theatre in Houston, Texas from September 16 until October 9. A surprise Curtain Call pushes it even further over the edge leaving both cast and audience fatigued from laughter. We don't currently have any monologues from Lend Me a Tenor. General admission is $8. that Max mistakenly thinks Tito has committed suicide.
Your blog is such a great reference to have and, of course, provides invaluable insight into someone I've admired for so long.As I was reading your past entries, I saw that someone inquired about your favorite monologues from your works, particularly "Leading Ladies". At the end of the play, things are sorted out. As the curtain falls on Act One, Saunders and Max leave for the performance, just as Tito wakes up in the bedroom. The pacing is so fast and the lines so similar, that it's difficult to get the right words out at the right time.". Take a look at our
Search all monologues. The star arrives late and, through a hilarious series of mishaps, is given a . Ages 12-17: Camp Broadway Ensemble @ Carnegie Hall. Lend Me a Tenor characters breakdowns including full descriptions with standard casting requirements and expert analysis. Maggie . Audition Packets are available on the website. College/University, Community Theatre, Professional Theatre, Regional Theatre, Small Cast, Ages 12-17: Camp Broadway Ensemble @ Carnegie Hall. I suppose we'd better go. Audition Monologue #1 (Female) It's no good you going on. Max is mistaken for Tito, and Tito is mistaken for Max by Saunders. Still do the performance? Maggie: (20s to 30s) Max's Girlfriend - pretty, quirky; a young woman who doesn't want to . Eventually, Diana seduces Tito in the bedroom, while Maggie simultaneously seduces Max (who she thinks is Tito) in the living room. Search. Lusty women in hotel rooms, crazed fans, drinking, drugs and suicide attempts -- it's tough to be an opera singer. Much later (Scene II), Max is unable to wake Tito from his nap. Seeking 2 Actor Team for Spring
This page was last edited on 21 September 2022, at 23:34. Ladies and gentlemen Mr. Tito Merelli killed himself this afternoon, thereby depriving many ofa great pleasure. Please enable JavaScript to experience Vimeo in all of its glory. The cast included Philip Bosco (Saunders), Victor Garber (Max), Ron Holgate, Tovah Feldshuh (Maria), Caroline Lagerfelt (Diana), Jane Connell (Julia), J. Smith-Cameron (Maggie) and Jeff Brooks (Bellhop).[5][6]. Sign up today to unlock amazing theatre resources and opportunities. (Unbeknownst to either of them, Tito accidentally takes a double-dose of tranquilizers.) I hope nothing happens. The play was produced on both the West End (1986) and Broadway (1989). Acting Monologues . AboutPressCopyrightContact. At that moment, the handsome, charismatic and heavily accented "Il Stupendo" makes a dramatic entrance with his equally dramatic, hot-tempered wife, Maria. I've included this monologue below, since it requires putting three speeches together.2. "Men are hard to get in community theater and here are three demanding roles. From Leading Ladies, I'd suggest Doc Meyer's monologue at the beginning of the Act I, Scene 2 (page 11-12 of the Samuel French edition);3. A Broadway revival opened in 2010. Lend Me a Tenor guide sections. Maria. On this Wikipedia the language links are at the top of the page across from the article title. Every time they enter a room, open a door, or even open their mouths you just cant expect what happens. Both are from Act II, Scene 3: The first one is at the beginning of the act and begins, "I do much wonder that one man" and the second one is towards the end of Act II and begins, "This can be no trick"From Henry IV, Part 1, I'd suggest Falstaff's speech in Act II, Scene 4, that begins, "If sack and sugar be a fault, God help the wicked. Five doors, primed for slamming, in a single hotel suite. One thundering orgasm of insane violence! [a] It's the biggest event in the Cleveland Opera's history. Throw in Diana, an ambitious, female co-star; Maggie, Maxs giddy girlfriend; Julia, a flirty head of the opera guild; and a meddling bellhop fighting for Titos attention. Maggie realizes that not only was Max the "Tito" that she made love to, he was also the "Tito" who sang so passionately in tonight's opera performance. Mary Catherine Garrison. I mean, I just want to be helpful. Partner Sites Youtube to Mp3 Converter About Us This project started as a student project in 2014 and was presented in 2017. New York, NY, Ages 12-17: Camp Broadway Ensemble @ Carnegie Hall
Saunders, the general manager of the Cleveland Grand Opera Company, is primed to welcome world famous, Tito Morelli, Il Stupendo, the greatest tenor of his generation, to appear for one night only as Canio from Pagliacci. Join StageAgent today and unlock amazing theatre resources and opportunities. "The role doesn't require the character study that more serious shows do," said the Ellicott City attorney who was a county prosecutor until last year. Part Size: Lead. My God youve solved the whole problem!
Lend Me a Tenor has been translated into sixteen languages and produced in twenty-five countries. Come join me, will you? During Max's performance, the "lunatic" tried to force his way into the opera house, hit a policeman who tried to stop him, and ran away. Jane Summerhays and J. Smith-Cameron Photo: Martha Swope, Philip Bosco as Saunders - Jane Connell as Julia - Tovah Feldshuh as Maria Photo: Martha Swope, Lend Me A Tenor at the Theater in der Josefstadt in Vienna, Austria starring Otto Schenk, 2 Tony Awards - for Best Direction of a Play and Best Actor in a Play (Philip Bosco), 5 Tony Award Nominations including Best Play, 3 Outer Critics Circle Awards - for Best Set, Best Costume and Best Lighting Design, 4 Drama Desk Awards - for Outstanding Actor in a play (Philip Bosco), Best Costume Design, Best Director and Outstanding Featured Actress in a play (Tovah Feldshuh), Oliver Award for Comedy of the Year (nominee), A remarkable piece of theatre a masterpiece Author Ken Ludwig has verve, a sound grasp of plot mechanics and a rare ability to couple high art with low comedy.- The London Times, One of two great farces by a living writer.- The New York Times"Ken Ludwig's 1989 Tony-winning comedy is one of only two classic farces by a living playwright, the other being Michael Frayn's frenetic "Noises Off"- Daily News, The most inventive, original farce in a long time - Punch, A furiously paced comedy with more than a touch of the Marx brothers A marvelous combination of wonderful farcical moments and funny lines.- Time Out, Hilariously over the top.- The Manchester Guardian, Fills the theatre with the sound of laughter.- The (London) Sunday Express, Free flowing honest-to-goodness unforced farce.- New York Magazine, Its hilarious The funniest show on Broadway.- WNEW, "A rollercoaster of fun for everybody in the buildinga solid, constantly accelerating snowball of a comedy! 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